Title Image

'Exuberantly creative'

the New York Times

'An artist who reflects a positive vision of our cultural future.'

the Toronto Star

'A modern polymath...one of Canada’s
most sought-after classical artists'

The Manitoba Chamber Orchestra

'I'm a big fan of Dinuk. To experience the birth of a new piece of his is exciting.'

James Ehnes

'The [Tabla Concerto] is fantastic, complex, and brilliant.
The orchestration and solo writing are masterful. I didn’t
think one could pull off [such] a concerto, but Dinuk did.
I don’t know of anything like it. The audience went crazy
after it for good reason.'

John Corigliano

'[The] mesmerizing Sri Lankan-Canadian composer/conductor/pianist Dinuk
Wijeratne…proving his inestimable chops in all three disciplines while living up
to his creative reputation.'

the WINNIPEG FREE PRESS

'He is representative of the best of a new generation of musicians
who work fearlessly in a variety of styles with flair and imagination'

Ara Guzelimian
Dean - the Juilliard School
Former Director - Carnegie Hall

'Dinuk Wijeratne is a musical force to be reckoned with.'

The Winnipeg Symphony Orchestra

'Internationally acclaimed'

the North Sea Jazz Festival

'Compelling'

The Telegraph (UK) on the Tabla Concerto

'Dinuk Wijeratne continues to astonish us'

the Chronicle Herald

'Dinuk is one of the most gifted musicians I know.'

Bernhard Gueller
Music Director Laureate - Symphony Nova Scotia
Former Music Director - Johannesburg Philharmonic, Cape Town Philharmonic, Nuremburg Symphony

'Young Dynamo'

the Coast

'[Dinuk] is a fabulous composer writing music full of energy,
expressivity, rhythmic complexity and non-stop excitement.
As a composer, conductor, pianist, improviser and experimenter
across various musical genres, Dinuk redefines what a classical
musician is and does.'

Christos Hatzis

'An artist internationally respected for his virtuosity and sensitivity'

the CBC

'Wijeratne's multi-disciplinary piano-playing sounds like
the work of an entire backing band....stretch[ing] his
audience's conception of how the instrument should sound'

Lebanon Daily Star

'[The] Tabla Concerto is a pioneering work of musical fusion,
a seamless integration of the most complex aspects of
North Indian Classical Tabla music into a totally Western model.'

Bernhard Gueller
Music Director Laureate - Symphony Nova Scotia
Former Music Director - Johannesburg Philharmonic, Cape Town Philharmonic, Nuremburg Symphony

'Dinuk Wijeratne’s Tabla Concerto is a breath of fresh air
in the repertoire – a vibrant, colourful piece that orchestras
love to play, and audiences will never forget.'

JoAnn Falletta
Music Director - Buffalo Philharmonic Orchestra & Virginia Symphony Orchestra
Principal Conductor - the Ulster Orchestra

'Remarkable piano artistry....he has an enviable touch'

the California Chronicle

'Wijeratne’s extraordinary setting was the last of three concerts featuring
works commemorating Bishop. Not only interesting but apocalyptic - an
exciting whirlpool of energy and tranquility, marking the impact of Portuguese
steel on Brazilian rainforest and aboriginal humanity, and rising in its latter
stages to an apotheosis of movement and drums. The music was a brutal
exposition of colonialism at its nastiest, yet colourful, exotic, vividly original,
and sent over the top by the last section.'

the CHRONICLE HERALD on 'Brazil, January 1, 1502'

'Dinuk embodies the true meaning of an artist. His creative
approach to composition brings a fresh virtuosity to an age old
art form. Invisible Cities is a milestone in the genre.'

TorQ Percussion Quartet

'Voraciously curious, indefatigably adventurous,
Dinuk is an artist who appears to be constantly
challenging himself.'

Sri Lanka Sunday Times

'[Love Triangle] is the kind of direction I like to see composers who are writing for chamber music go in.
What [Dinuk] is able to do so expertly is articulate a mix of sounds, and a mix of worlds.'

Roman Borys, the GRYPHON TRIO

'[The] East-meets-West work bristles with the energy of a coiled spring,
fuelled by a near-impossible melting pot of Indian tabla-like dance rhythms,
funky jazz riffs, tonal clusters and extended instrumental techniques. It left
the impression one had just journeyed into the heart of a strange new world
of breathtaking beauty and joyous energy, and it earned a rousing standing
ovation by the bewitched crowd.'

the WINNIPEG FREE PRESS on 'Gajaga Vannama'

'One of the most exciting compositional voices in this country right now.'

the CBC (2023)

'The Tabla Concerto [is] an east-west fusion at once beguiling, deeply serious and joyous.
Wijeratne creates an entirely original soundscape.'

The Guardian, UK

Works in chronological order:

IDENTITY: A Song Cycle
for baritone, piano, bass, and percussion (in progress) – 60′
Commissioned by AtG Theatre & the National Arts Centre’s National Creation Fund

The Disappearance of Lisa Gherardini
for string quartet (2022) – 9.5′
Commissioned by the Banff International String Quartet Competition (BISQC)

Invisible Cities
Concerto for Percussion Quartet & Orchestra (orchestral version, 2021) – 35′

A Portrait of the Imaginary Sibling
for cello & piano (2020) – 10′
Commissioned by Bryan & Silvie Cheng

Gajaga Vannama
for piano (soloist/conductor) & strings (2019) – 15′
Commissioned by I Musici de Montréal & the Manitoba Chamber Orchestra

Clarinet Concerto
for clarinet, piano, & strings (2018) – 28′
Commissioned by Symphony Nova Scotia, Winnipeg Symphony, Calgary Philharmonic

Yatra
a fanfare for orchestra (2016) – 2′
2222.2200.timp.strings
Commissioned by the Toronto Symphony Orchestra & Symphony Nova Scotia

Whose windows are songs & silences
for clarinet & piano improvisors (2016) – 5′

Polyphonic Lively
for orchestra (2016) – 12.5′
2222.4230.timp+2perc.strings
Commissioned by Symphony Nova Scotia

Through the Invisible
for string quartet & turntables (2015) – 5′

The Spirit & the Dust
for marimba (2015) – 9.5′
Commissioned by Beverley Johnston

Two Pop Songs on Antique Poems
for string quartet (2014) – 14′
Commissioned by the Afiara String Quartet

Invisible Cities
Concerto for Percussion Quartet & Wind Ensemble (original version, 2014) – 30′

Ersilia
for percussion quartet (2014) – 5′
Commissioned by TorQ Percussion

Love Triangle
for violin, cello, & piano (2013) – 16′
Commissioned by the Gryphon Trio

Tsimo!, No Escape, Hymnpeace ReMixed (2012) – 60′
for piano, vocals, drums, DJ/turntables
Commissioned by the Halifax Jazz Festival for DJ Skratch Bastid

Tabla Concerto
for tabla & orchestra (2011) – 27′
Commissioned by Symphony Nova Scotia

Brazil, January 1, 1502 (2010) – 30′
for soprano soloist, piano, oboe, percussion ensemble, double bass, capoeira dancers Commissioned by the Elizabeth Bishop Society for Suzie LeBlanc

Once the Colour of Fire, Now the Colour of Ashes (2010)
for accordion, piano, percussion
for Diomira, feat. Joseph Petric & Nick Halley

Qawwali Party (2009) – 20′
for clarinet, percussion soloists, large wind ensemble Commissioned by CP Allen High School & Arts Nova Scotia

This Way Up↓ – clarinet, piano, tabla (2008) 10’

HymnPeace ReMixed
for cello (or improvising soloist), turntables, & orchestra (2008) – 15′
Commissioned by the CBC

Colour Study in Rupaktaal
for piano (2007) – 13′
Commissioned by David Jalbert

‘Khayyam XXXII’ (2005) – 8’
female voice, piano, string quartet, double bass, clarinet, tabla

Powerplay (2004) – 30′
dancepiece, scored for mixed ensemble Western and Indian instruments
flute, clarinet, violin, sarangi, tabla, pakhawaj, double bass, piano, female voice (north indian classical); commissioned by the NY Kathak Ensemble

‘[Out of the] Karmic Blue’ (2004) – 9’
female voice, piano, string quartet, double bass, tabla + 2 perc (udu, djembe) for Christina Courtin, Sandeep Das, Yo Yo Ma & the Silk Road Ensemble

Chamber Concerto ‘About Sankhara’ (2003) – 13′
1111 1110 2perc(incl.timp) pno str
commissioned by Joel Sachs & the New Juilliard Ensemble

‘Vesak Octet’ (2001) – 10’
saxophone quartet and percussion quartet
commissioned by the Apollo Saxophone Quartet & 4-Mality Percussion Quartet, UK

‘Visaya’ (2000) – 8’
Saxophone Quartet.
Commissioned by the Apollo Saxophone Quartet

Sonata for Violin and Piano (1998) – 29′